I think it’s one of of the Paul’s biggest sin we’ll never hear it on Abbey Road.Is there any indication that Paul even wanted it on Abbey Road? . Hit the Accept button to remove this message.Join the Fab Forum discussion on Come And Get It,English Heritage plaque to be unveiled at Lennon’s former London home,Paul McCartney is interviewed for the BBC’s Scene And Heard,The Beatles lose control of Northern Songs,George and Pattie Harrison hold a press conference in India,John Lennon films How I Won The War in Spain.You know you're a hardcore Beatles fan when...Name The Beatles (as a group - not solo) song that goes with this picture,The "Incredibly Impossible to Derail This Thread" thread,SgtPeppersBulldog's Lonely Arts (and Farts) Club Thread,Ringo Starr buys Tittenhurst Park from John Lennon and Yoko Ono. You also have the option to opt-out of these cookies. The song was a thinly-veiled commentary on the state of Apple, which was losing large amounts of money by 1969.Badfinger’s version, sung by fellow Liverpudlian Tom Evans, was mostly identical to McCartney’s demo.
This category only includes cookies that ensures basic functionalities and security features of the website. The piano was recorded to track one and his vocals on track two of the eight-track tape.He then double tracked his vocals and played maracas on track three. I had heard songs like Lady Madonna, Hey Jude and Let It Be. Badfinger’s sounds like a record and the blend of voices (mainly Tom and Pete, but possibly Ron also) is terrific on a song with very mediocre lyrics.
My mother was also a talented artist who sculpted, and drew with charcoal pencils and pastels, and she even sold some of her sculptures at a few local galleries.She said she now loved most of The Beatles music and said they were brilliant.And my sister who is 4 years older than me and had a big diverse music collection since she was a mid teen, bought Venus and Mars when it came out, and I remember listening to it with her, and her friend and my best friend and we all loved it. [t[hey actually wanted to put their own variations on, but I said, ‘No, this really is the right way.’ you can understand why John ad George got fed up being “sidemen” to Paul.
Even when I was 8 years old I thought it sounded so Beatle-ish even though I didn’t know Paul wrote it. My favorite song in the 3rd grade in ’69. It took less than an hour to complete.A single stereo mix was made of ‘Come And Get It’, a copy of which was taken away by McCartney. I think that goes for a lot of people.I like Macca’s version very much, but Badfingers is a classic!I’ll take the Badfinger version. Come And Get It. Paul’s 1975 Venus & Mars Wings album is a great rock album and out of the majority of great reviews on amazon.com it gets a well deserved 5 stars out of over 100 reviews for this album. Put “Come and get it” would be a miracle for Abbey Road. Here we go again with another live track of the legendary German TV show from Bremen. Mm, make your mind up fast. If you want it any time, I can give it, but you better hurry 'cause it may not last. “Maxwell–” could have been swapped for “Gimme Some Truth” or maybe “Old Brown Shoe”.They couldn’t cause it was Ringo’s one song per album and if they were to axe a song it should be Maxwell’s Sliver Hammer.Once this version was officially released, I never played Badfinger’s version again….Good point. It is a better record than it is a song.Here is McCartney bringing us his new sound. Should have been on Abbey Road.I have a badfinger Compilation and it credits the Songwriter as McCartney alone.
Similarly, I was a bit confused with his voice on “Get Back” and “When I’m Sixty-Four” because of the accents he puts on (former) and the varispeed (latter).So when this song first hit the radio and before we knew what band it was – people were saying “This is an incredible Beatles sound alike band.” Once we heard it was a Paul tune and an Apple band it made sense.Here’s my take on why it’s not on Abbey Road. Could you imagine them at this time not having more mainstream pop songs that Paul was pushing an album dominated by John’s political/drug/diary songs or George’s mystical Wha Wha Isn’t it a Pity songs. Will you walk away from a fool and his money?
I think they made the right decision to exclude it.I have yet to hear it, but based on the above comments alone believe it should’ve replaced Maxwell’s. I referred to a 1974 quote from John Lennon. The biggest differences between the McCartney and Badfinger versions … Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. . She knew better.I heard this song for the first time on Anthology 3. They had already suffered through Maxwell’s Silver Hammer since the Get Back sessions and my guess is that they were not willing to work on another.If you notice – after Get Back session, Paul’s output actually gets somewhat limited.
The final version was in E flat, a semitone lower than McCartney’s, possibly due to varispeeding during the mixing stage. This is one of the *GREATEST* solo/Wings Paul albums he ever did! If you've learned something new about the band and wish to show your appreciation, why not make a small donation via PayPal? Did I hear you say that there must be a catch? That’s what the medley was for. So I think somehow John and George had boxed Paul in on these sugary pop songs Paul was starting to lean towards (which we saw come out on his solo albums).By the way, I like those Paul tunes – so I’m just giving a theory as to why Come and Get It didn’t make it to Abbey Road.Plus, Paul had taken up way more than his share of studio time nitpicking his way through endless takes and overdubs on Maxwell, just as he’d done on O-Bla-Di.BTW – reading Paul’s instructions to Badfinger – “OK, it’s got to be exactly like this demo,’ . The above two mentioned are merely fragments. All images © their respective owners.
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